Paintings 2021

COSMOS - Art Basel Switzerland - Online Viewing Room- 

 June - 16- 19/ 2021

Online Viewing Rooms is Art Basel's virtual platform connecting the world's leading galleries with our global network of collectors and art enthusiasts. 

Our upcoming edition, 'OVR: Portals', will be curated by Magali Arriola, Director, Museo Tamayo, Mexico City; Christina Li, independent curator based in Amsterdam and Hong Kong; and Larry Ossei-Mensah, co-founder of ARTNOIR and Curator-at-Large at BAM, New York City. Running June 16-19, 2021, it will focus on artistic practices that interrogate the parameters that have shaped our contemporary condition, both through current and historical lenses. 

The VIP Preview of 'OVR: Portals' will run from Wednesday, June 16, 2pm CET to Thursday, June 17, 2pm CET. Public days will follow from June 17, 2pm CET through Saturday, June 19, 12 midnight CET.

COSMOS - Sketchbook drawings: Chartres Labyrinth

Classroom 2

COSMOS - Sketchbook drawings. Venus Pentagram

COSMOS - Sketchbook drawings. Vastu Purusha Mandala and the Star Cut Diagram

What is Cosmology? What is Cosmos? The answer to one is the basis of the answer to other, Cosmology by definition presupposes an ordered universe. Cosmology is the logic or study of the laws and intelligence inherent in this ordered universe. 

Islamic Patterns An Analytical and Cosmological approach: Thames & Hudson, 1976 Keith Critchlow

Much of this enquiry into the cosmos came after my mother passed away two years ago. I recall the loss being immediate, as if she had slipped into the stars, beyond anything I could imagine, a place of awe, beauty and wonder (if not a little scary).

Strange, as I knew it but could not comprehend it: she was there and I was not, and yet the heavens seemed to hold us both. Grief can take many forms and mine sought comfort in star gazing the series of paintings entitled: The Dunhuang Star Atlas, Mapping the Heavens , Principia I, II & III. & The Sea of Untold Stories. However, the further I delved into depths of space, tangled with gravity, quantum mechanics and the like, the more I seemed to move inward. There was a moment when I realised I was looking in the wrong direction for no matter how far we search, with bigger and better telescopes, the only thing waiting for us is the immensity of space.

When in fact the greater metaphysical mystery remains on the other end of the telescope: who and what is doing the looking ? If we consider this in terms of cosmology which today means the science of the origin of the universe which differs considerably from the original Greek term Kosmos meaning order and adornment. Cosmology as Professor Keith Critchlow suggest, by definition presupposes an ordered universe. Cosmology is the logic or study of the laws and intelligence inherent in this ordered universe. Adornment implies that this law and intelligence is hidden, which begs the question what is it in us that is able to perceive that which is hidden?

In the ancient Vedic (Hindu) tradition this perception is described as the Atman: Soul or Spirit (form), an emanation of Brahman: the universal soul (the formless). We can imagine this as ripples on the sea Brahman is both the ripple (Atman, imminent ) and the sea (Brahman, transcendent). They are one and the same, the unchanging principle, Known (an uncreated wholeness) and the Knowing (manifest process in action) creation.

In the traditional view, life in all its forms has both imminent and transcendent qualities depending the state of matter, these qualities are either awakened or dormant. A stone is asleep, a flower dreaming, animals awake but only man can be fully awake and therefore conscious. Consciousness or sat-cita-nanda (existence, consciousness, and bliss) is the state in which, the Atman lives within Brahman. The problem, of course, is that man is  ignorant of this state so the ancients devised philosophical systems including the practice of yoga and meditation that could awaken the individual.

These systems, of which cosmology is but one, can be found throughout the ancient world. In antiquity known as the seven liberal arts as taught in the schools of Plato, Pythagoras and later Plotinus. The knowledge, practice and contemplation of grammar, rhetoric, logic (Trivium) and arithmetic, geometry, music, and astronomy (Quadrivium), liberate the individual soul. However, with the dawn of European enlightenment, cosmology would change as cultures embraced empirical science, through the prisms of Cartesian, Darwinian and Newtonian reasoning. Man, ever since has been denied the ontological relationship between creator and created. The mind was literally wrenched from the body, spirit from soul and all the subsequent divergencies thereafter today we are told that creation is nothing more than a random act of cosmic chemistry.


And from all this arose the paradox that a philosophy which made of human reason the measure of all reality resulted in an astronomical world-view in which man was to appear more and more like a speck of dust amongst other specks of dust, a mere accident without any sort of cosmic precedence, while the medieval perspective, based not on human reason but on the revelation and inspiration, had placed man at the center of the cosmos.  Alchemy: Science OfThe Cosmos – Science Of The Soul: Fons Vitae: Titus Burckhardt. 1997

The art and architecture of the medieval world leaves little doubt as to our place within the cosmos, surviving today as a timely reminder of who and what we are. And it is to this I turn in these works, beginning with the labyrinth at Chartres Cathedral in France with Professor Critchlow, a leading Chartres Scholar. As a cosmological diagram, the pathway, a series of eleven concentric circles, the soul’s journey (and eventual return) from the unmanifest to the manifest state. Each circle a different aspect of the heavenly realms; Supreme God (Brahman), Mind, Soul (world soul, Atman), Zodiac (twelve houses) and the seven visible planets, Moon, Sun, Mercury, Venus, Mars, Jupiter and Saturn with the Earth at the center. To walk the labyrinth is to re-enact and contemplate this journey.

The Labyrinth became the inspiration for this series of works, which would eventually morph into a personal investigation into the Cosmos. Perhaps Covid was the catalyst, but the silence of the past few months inevitably draws one deeper into contemplation. I wanted to understand my place within it, create an imagine of the universe and embrace the metaphysical dialogue that I have been struggling with for so long answers; come to a few realizations, which more to do with connecting with inner than outer space. Hopefully these works will reflect this journey as it moves in fits and starts, much like the planets themselves, as they appear to whizz back and forth against one another. And yet, like the ancients, I see them as archetypes, giant spheres moving in perfect circles, a harmony as Johannes Kepler would have it, for what we see

and what we know often differs.


Perhaps our universe really is a reflection of an archetypal realm